#11
Journal/Reflection Relief Printmaking
The assignment was for us to create a print through a Lino block
where we were to carve whatever image we desired, but specifically no words
were to be on the block. I decided to do an outline of a cross with rosary
beads around it. I began to trace the image that I got an idea the design
through the internet. After I completed drawing my cross image onto the tracing
paper, I had to then trace it onto the Lino block with my charcoal paper right
under the tracing paper, that way the image will trace on the block with the
charcoal.
I began to carve with my Speed ball Lino Cutter. With all the lines, I usually just stuck to the number one cutter
which was the smallest one. I continued to carve but I honestly got confused
with the white and black spaces. With the help from Mr. Wonenberg, I got a
better understanding of which one to cut and which ones to leave alone. I
focused on the outline of the cross and continued to charge the rosary beads. I
did a black and white type, so there were some beads that I cut and some was
untouched. It was actually different to cut the rosary beads because they were
quite small. But I tried to complete it as good as I could.
Carving my Lino block was my most
difficult part to this assignment. The easy part was adding on my black print
ink to the wood and also being able to make the image show onto our sketch pad
paper. With the print that came out to be my artist proof print, the ink was
not enough so the image was not so bold. Over and over, I pressed and printed
and finally the image of my cross began to appear. I think I have over 10
prints before I was satisfied with my final one. Overall, I really enjoy
printing. If I could go back, I think I would have changed my image into someone
more detailed.
#10 Journal/Reflection Relief Sculpture Features of the Face


With my mask, I tried to make sure that I documented the changes of expressions every time I worked on the surface. I did not really change up my mask. I just added on a swirl of lines under the other part of the eye. I decided just to add on some stuff a little later because I wasn’t too sure if I was able to find materials according to one drawing that I really liked in the blue print that I knew of my masks and its different styles. I am honestly not quite done yet with my mask but here is my working process with its blue print from the picture above. I added on the eye balls as well. I was actually thinking about using mar balls for the eyes but I could not find any lying around my house. In class, we were taught to shape our masks a lot better. With the back portions a lot more shaved in order for us to add on the two parts that will be able to help hang on masks with the strings attached. My nose was not so big, so it I did really have to shade the nose area. But around the outer areas, Mr. Wonenberg taught us how to keep it not so thick. We have to add more things to our masks before the firing process. I have yet to see whether I want to keep my masks simple or add more detail to it.



With my mask, I tried to make sure that I documented the changes of expressions every time I worked on the surface. I did not really change up my mask. I just added on a swirl of lines under the other part of the eye. I decided just to add on some stuff a little later because I wasn’t too sure if I was able to find materials according to one drawing that I really liked in the blue print that I knew of my masks and its different styles. I am honestly not quite done yet with my mask but here is my working process with its blue print from the picture above. I added on the eye balls as well. I was actually thinking about using mar balls for the eyes but I could not find any lying around my house. In class, we were taught to shape our masks a lot better. With the back portions a lot more shaved in order for us to add on the two parts that will be able to help hang on masks with the strings attached. My nose was not so big, so it I did really have to shade the nose area. But around the outer areas, Mr. Wonenberg taught us how to keep it not so thick. We have to add more things to our masks before the firing process. I have yet to see whether I want to keep my masks simple or add more detail to it.
#9 Mask Texture Journal/Reflection Documentation
For my mask, I am most
likely to be going to use a variety of different designs that do fall under the
organic or geometric textures. From the picture above, these are some examples
of the textures that are of organic and geometric textures. I used different
types of things at home. I used the rope from a beaded necklace, shells from
the beach, a picture frame stand, the outside of a jewelry cover, the stones
from a shell necklace, a Mardi gras necklace, as well as some of the modeling tools that were
from the class.
The
2 sculpting processes are either subtractive
(material is removed or carved out) or additive (material is added). One sculpture is modeling. Modeled sculptures
are created when a soft or malleable material (such as clay) is built up and
shaped to create a form. Modeling is an additive process. Another sculpting
process is assembling. Sculptors
gather and join different materials to create an assembled sculpture.
Assembling is an additive process.
Neutral Ground Blue Figures
This assignment focused on the positive shades instead of the negative shades. The white portion was shaded in with chalk and the darker areas was done with the cross-hatching drawing technique.
Cityscape Drawing Assignment
This assignment focused on different point perspective. We had to create a Cityscape of anything we wanted just as long as it had the listed things that is written in our journals online of what we had to present in our drawing.
#8 Journal/Reflection Contour line texture drawing (2 people)
In my drawing of two people playing
basketball, I used contour lines around the body to show how both are
interacting with one another. I made bold contour lines tracing out the
basketball jerseys of both players, to indicate that both players have the
passion to play ball. I did not really draw any detail onto the jerseys but
just the outline of the school and number they were representing. I continued
to draw the other body parts and the shoes. For the shoes, I just drew
different lines to indicate the laces. Then I continued to draw the upper
portion of the body and the face. Like I did in the beginning, I did not draw a
lot of detail, just lines to indicate the two boys’ outer appearance. I left
the background blank because the assignment was to just focus on two people
somewhat interacting. The lines with this drawing do indicate the boldness of
what I was trying to portray. Like how I used bold lines for the basketball
jerseys and light lines to outline the two bodies.
The next part that we had to do was
focus on texture. Different kinds of texture, it really didn’t matter because
it was up to us as the artist to choose. We had to fill in the background with
different textures, as well as fill in the two people. What I did, was I tried
to give this drawing some kind of feel to it where it could portray it really
being at a basketball game. I added different textures such as coin heads for
the background audience. The used the back of small tiles to indicate the
ground floor. I used the back of a dining mat for the floor as well but to show
detail that one of the players were about to shoot into the ring. The side
podiums, I used the sides of picture frames. To kind of give it a home sense, I
used shell textures for the left side of the drawing. The net for the
basketball ring, I used a fish scale class vase. For the basketball, I used the
outside surface of the clothes hamper. For the basketball I used the screen of
one of my windows. For the shoes, I used the outside of my jewelry box. For the
skin of the two boys, I used the outside part of my belt. For their hair, I
used a cup mat. For the basketball jerseys I used the floor of my room and
lastly for the overall background, I used the rough and smooth areas of my
bedroom wall. This drawing took a lot of time and work. It was interesting to
look all over my house for different textures. I tried my best to make the
textures stand out, but some of them did not really work well with me. But it
was a fun experience.
My Best 5 Gesture Drawings



This assignment is focused on the use of charcoal sticks where we are to draw in various positions in a bubble technique of different areas of the body from the dancers presented in class.
#7 Journal/Reflection Neutral Ground Still Life
The concept
of Neutral Ground is basically focusing on the value or lack thereof, within
our composition. Neutral being not of the white or black color, but a color
between the black and white values. The beginning of this assignment involved
having to rub pencil shavings on my sheet of paper. Then we had to use our kneadable
eraser to create images from the lighter shade of the drawing. I started by
erasing away to create the cylindrical shape of the roll of tissue. It was so
hard to focus on making sure I didn’t take off too much because I knew that it
meant I would have to add value back onto my sheet. I guess the objectives of
this assignment was to enhance our ability to focus on the value of the lighter
shade within our composition, keeping in mind of the all the shadows created by
the light. My kneadable was not working with me. It was already really
hard but I just tried to use it the best way I could so I broke the eraser into
pieces to be able to erase better. I have to say that the kneadable eraser is
not my favorite tool.
Mr.
Wonenberg came over and showed me how to add the crosshatching to the different
parts to create shade. I also took a picture of that cross hatch lady figure as
a tool to help me better understand the lighter shades in detail. I wasn’t
sure I was going to succeed at using the chalk to add light values, but it
wasn’t that bad after all. The chalk really helped to add very light value to
the areas in which the eraser just didn’t seem to do the job. I continued to
add on more to my drawing with the different shading together with cross
hatching the figures. Towards the ending of my drawing, I used to chalk to add
some finishing touches to the lighter shade value. As well as adding a little
cross hatching details to the vase and man figure. Overall, this drawing was
one of the more difficult drawings for me. But I still tried to have fun with
it and not stress too much.
#6 Journal/Reflection Black Paper White Chalk "Honest
Abe"
The concept of value is basically the artistic term for light and
dark. The use of value in a work of art is shading. An area’s value is its
relative lightness and darkness in a given context. We can only see the value
through the changes of light and dark. For example, light reveals forms; in a
dark room at night we see nothing. One way to create value in a composition
would be value pattern which is the arrangement and the amount of variation in
light and dark, independent of the colors used.
Another way to create value
in a composition is value emphasis. A valuable use of dark and light contrast
is to create a focal point or center of attention in a design. An important
character or feature can be visually emphasized by value contrast. Another way
to create value in a composition is using gradations of dark and light to
suggest volume and space. Chiaroscuro describes the artistic device of using
light and dark on a flat surface, to impact a three dimensional quality to
shapes. Areas of contrast sit alongside subtle shifts in value from
predominantly light ground to the darkest values in shadow. Some techniques in gradual
transitions are cross-hatching, wash drawing and media-mixed as well as visual
grays.
#5 Journal/Reflection Value Study Crosshatch line seated boy
Carefully
creating a light grid on my sheet, I began drawing my outline of The
Seated Boy. I tried to portion the figure of the boy right according to
the grid and how the picture of the seated boy looked. Mr. Wonenberg mentioned
that we would have to use crosshatching. I was nervous about whether or not I
was going to be able to create the different types of value transitions. In
class, we discussed how abrupt transitions make identifying where
actual lines go easier. On the other hand, gradual transitions create
a more subtle line, sometimes turning what once was an actual line into
an implied line. He talked more into the crosshatching technique which allows
us to lighten and darken the value of certain areas of the composition, giving
parts of the work a three-dimensional feel to it because that cannot be created
with the use of a single line.
I was
somewhat confused on what cross hatching was at first but with the help from
Mr. Wonenberg, he definitely made me see cross hatching a lot differently. It
was not so much of the different shading but it was more as having to be able
to see the different line texture when you cross hatch. Layer upon layer, I
stacked lines in various areas. Some areas had just a couple of layers of cross
hatching, other areas needed a lot more. I needed to really indicate the dark
and light values on the drawing, so what I did was that I made the lines a lot bigger
for the dark areas and smaller ones for the lighter areas. The boy’s pants were
more of a darker value, so I made the lines a lot bigger. At first, I was very
nervous by the example shown to us, but once again, this turned out to be a
little easier than I thought. The hardest part for me was trying to
eliminate the contour lines. The drawing was more focused on cross hatching
rather than the contour lines. I think this assignment was a bit challenging,
only because I personally feel that I am not so good with cross hatching. Overall
though, it was another great experience to work with different drawing
techniques rather than just simply using lines to draw an image.
#4 Journal/Reflection Contour line texture drawing (2 people)
In my drawing of two people playing
basketball, I used contour lines around the body to show how both are
interacting with one another. I made bold contour lines tracing out the
basketball jerseys of both players, to indicate that both players have the
passion to play ball. I did not really draw any detail onto the jerseys but
just the outline of the school and number they were representing. I continued
to draw the other body parts and the shoes. For the shoes, I just drew
different lines to indicate the laces. Then I continued to draw the upper
portion of the body and the face. Like I did in the beginning, I did not draw a
lot of detail, just lines to indicate the two boys’ outer appearance. I left
the background blank because the assignment was to just focus on two people
somewhat interacting. The lines with this drawing do indicate the boldness of
what I was trying to portray. Like how I used bold lines for the basketball
jerseys and light lines to outline the two bodies.
The next part that we had to do was
focus on texture. Different kinds of texture, it really didn’t matter because
it was up to us as the artist to choose. We had to fill in the background with
different textures, as well as fill in the two people. What I did, was I tried
to give this drawing some kind of feel to it where it could portray it really
being at a basketball game. I added different textures such as coin heads for
the background audience. The used the back of small tiles to indicate the
ground floor. I used the back of a dining mat for the floor as well but to show
detail that one of the players were about to shoot into the ring. The side
podiums, I used the sides of picture frames. To kind of give it a home sense, I
used shell textures for the left side of the drawing. The net for the
basketball ring, I used a fish scale class vase. For the basketball, I used the
outside surface of the clothes hamper. For the basketball I used the screen of
one of my windows. For the shoes, I used the outside of my jewelry box. For the
skin of the two boys, I used the outside part of my belt. For their hair, I
used a cup mat. For the basketball jerseys I used the floor of my room and
lastly for the overall background, I used the rough and smooth areas of my
bedroom wall. This drawing took a lot of time and work. It was interesting to
look all over my house for different textures. I tried my best to make the
textures stand out, but some of them did not really work well with me. But it
was a fun experience.
Journal #3 Positive/Negative (Bird)
The
assignment we did in class today was to help us know the difference between the
positives and negatives in art. In class we discussed how to look at different
pictures that had black and white figures. The white part being the positive
part of the picture. We had to focus on
drawing a bird and a sun on a sheet of paper but the tricky thing was that we
had to focus more on the negative part which was quite simple to me. I drew the
outline of the bird, while Mr. Wonenberg explained how for example; the bottom
wing looked like some kind of “shark fin”. I honestly did not see those types
of figures at first, but with the help of Mr. Wonenberg’s explanation between
the negatives and positives, it gave me a whole new and different perspective.
I continued to draw the outline of my bird and then the sun with the help of
the line grid of course! Then came the part of filling in the background of my
drawing where we had a choice of different dark shapes to add on, in order to make
the bird and sun stand out.
I drew
different types of patterns. The left side of the drawing consisted of a cloud
under the sun, with trees right under the cloud. I tried to make it look like a
cold and snowy scenery. Then I added light rays coming out of the sun, almost
like a fire flame look to it. The patterns under the bird was somewhat inspired
by a tree trunk I saw outside of my window at home. The right side of the bird
was inspired by a Koi fish scales that my brother had a picture of so I just
decided to add that on to the drawing. The upper part of the birds head, I just
decided to add triangle looking stripes as well as a little part of a tribal
tattoo. Overall, I would say that this drawing was fun to do, coming up with
different designs to make it your own without having to show that there really
is a ‘bird’ figure.
Journal #2 “Contour Upside down Picasso Drawing”
The upside down Picasso drawing was
introduced to us. It was basically an old man sitting with a weird looking face
to it. He revealed different pictures of the same drawing that children drew
themselves and each one had their own individuality to it. There was a
challenge to drawing it where we had to draw it upside down. I thought to
myself that this was going to be a difficult task because usually I tend to
draw pictures from the top to bottom perspective. But I guess this was a way of
letting us shift our brain modes from left to right. The left part of our
brains is used more as for language and is more detail oriented. While the
right side focuses more on spatial perception and object function as it was
discussed in class. In order to properly make sure that our drawing was on the
right area, a grid of lines were given to us to help us better adjust to our
drawing. So I folded my paper into portions of squares and started sketching
the man’s wrinkled pants. I thought it was going to be difficult because we had
to start drawing from the biggest part of the drawing.
The
top portion of the drawing was just the face, but it was easier to start from
the bottom because it had bold lines. As I continued to draw, I encountered one
of the difficult parts of the drawing, which were the hands. The intertwining
of the hands made it almost impossible to perfectly draw the hands. The curved
lines did not allow me to visualize the hands as it was which made it confusing
for me. Another challenging part of this
drawing was the structure of the face. The detailed portion of the face
somewhat threw me off but I was able to finish it up. Overall, this lesson was
really fun to do. I like how it taught me a different way to look at pictures
and actually draw them just like Picasso had. This assignment even allowed me
to use my imagination and to think outside of the box. The outcome of my
drawing was a lot better than I expected it to look.
Journal #1 Keith Haring Drawing Assignment
Controversial Issue: "Abortion"
The mother figures are bigger compared to the other people figures
on the bottom. The different hands on the bottom of the drawing have a variety
of colors. There are angel figures to the left and right sides of the paper.
The lines from the angels indicate that they are flying upward. There is a
radiance of color in the middle mother figure and it stands out a lot on the
drawing. From what I decided to portray
on my drawing with having the ‘abortion’ controversial issue, I made two women
figures who are carrying babies in their stomach to represent that they are
mother connected to each other in a heart shape form.
The middle mother figure stands out a lot in this drawing. She is
holding an infant in the middle with a radiance of light beaming around it.
There are angels on both the top and bottom of the photo while one set of
angels represent death and the other life. The moral of this drawing is to represent how women today can
decide whether to hold on to their child, more like a pro-life saying
to it. Overall, the love of the mothers over ride where the people at the
bottom of the drawing show that they are for abortion. But with the Catholic
faith being against abortion, I have people in the middle of the heart showing their
hands where they are somewhat praising the mother and baby in the middle.